{"id":42889,"date":"2026-01-21T18:09:40","date_gmt":"2026-01-21T10:09:40","guid":{"rendered":"https:\/\/gqhongkong.com\/?p=42889"},"modified":"2026-01-21T18:09:41","modified_gmt":"2026-01-21T10:09:41","slug":"gq-interviews-heated-rivalry-costume-designer-hanna-puley-breaking-down-shane-and-ilyas-sexy-on-screen-styling","status":"publish","type":"post","link":"https:\/\/gqhongkong.com\/en\/lifestyle-en\/gq-interviews-heated-rivalry-costume-designer-hanna-puley-breaking-down-shane-and-ilyas-sexy-on-screen-styling","title":{"rendered":"GQ interviews Heated Rivalry costume designer Hanna Puley, breaking down Shane and Ilya\u2019s sexy on-screen styling"},"content":{"rendered":"\n

As more and more viewers have obsessed over the show since its November 28 premiere\u2014it\u2019s become a fixture among HBO Max\u2019s top 10 shows in the US, and will begin streaming in the UK on January 10\u2014it stands to reason that if the audience started watching for the six packs, they stayed for Shane Hollander\u2019s hot-nerd reading glasses. You know, proverbially speaking.<\/p>\n\n\n\n

\"\"
Sabrina Lantos\/HBO Max<\/figcaption><\/figure>\n\n\n\n

In late December,\u00a0I spoke with the show\u2019s costume designer, Hanna Puley, about a menswear-adjacent plot point\u2014a scene in which Shane admits to hiring a stylist. (The scene in question takes place in 2017, at the dawn of the tunnel-fit era.\u00a0Travis Kelce would be proud.) Partially given the show\u2019s shoestring budget, but mainly due to the fact that its characters are closeted pro-hockey players who are dressing for gyms and locker rooms, most of the clothes on the show aren\u2019t especially flashy. Shane is, by design, a hapless dresser; even the most diehard\u00a0Heated Rivalry<\/em>\u00a0fans\u00a0have dunked on\u00a0his frumpy duds. Meanwhile, Shane\u2019s rival-turned-lover, Russian hockey phenom Ilya Rozanov (Connor Storrie), boasts a new-money wardrobe of Rick Owens drop-crotch sweats and sexy Diesel tank tops.<\/p>\n\n\n\n

Unsurprisingly, Puley had many other great insights to share about the show\u2019s costuming philosophy. Read on for more of our conversation, in which the designer spilled on Ilya\u2019s \u201cSlavic man style,\u201d Shane\u2019s bookish eyewear, and those slyly suggestive team logos.<\/p>\n\n\n\n

GQ<\/em>: As someone who often has to write about famous men\u00a0hiring\u00a0stylists, I had a good laugh while watching episode five, when\u00a0Shane tells Ilya that he hired a stylist. As the costumer of the show, what was your perspective on incorporating that little plotline?<\/strong><\/p>\n\n\n\n

Hanna Puley:<\/em>\u00a0[Laughs<\/em>] I know you mentioned the stylist point is the key because you guys are coming at it from more of a fashion angle, and that\u2019s honestly not how I approach costume design. It\u2019s not \u201cfashion\u201d to me. I wanted it to still feel like it was him, where it\u2019s like the choices that were made were still him, and they\u2019re kind of still boring, and they\u2019re still very contained in this heteronormative mask that is so clearly the thing that he just feels comfortable in. When we see that shift, that\u2019s the only time we see him in patterns. It\u2019s the only time that we see him in something that\u2019s not a black suit. His general style for the whole show up to that point is tuxedos, athleticwear. His \u201chot\u201d look is the white T-shirt [in episode four\u2019s nightclub scene], where he just feels the best version of himself. I think that I kind of leaned on that because it feels so identifiable with a lot of men that I know. This is their version of looking the hottest way that they know how to.<\/p>\n\n\n\n

Very true.<\/strong><\/p>\n\n\n\n

Totally, right? Literally, they feel so good in\u00a0just a good white T-shirt. Playing that for Shane was a choice for sure, and I leaned on it a lot, but I think it makes it feel really grounded because it is so familiar with a lot of men.<\/p>\n\n\n\n

Yeah. It\u2019s almost like a big personal jump for Shane, that scene in Tampa, even though it\u2019s just a tan jacket and a black tee.<\/strong><\/p>\n\n\n\n

It\u2019s actually a [full] white suit! [With costuming,] we create a whole story world that does get seen, all the sandcastles that we build in film. It\u2019s wild. Even all of Kip\u2019s friends, that birthday scene where Scott\u2019s looking in through the window [in episode three]… Everybody looks so good, and then you don\u2019t see anything.<\/p>\n\n\n\n

Yeah, the plight of the costume designer is so…<\/strong><\/p>\n\n\n\n

[Laughs<\/em>] I truly think it\u2019s like we\u2019re building sandcastles that then just get washed away by the sea. Sometimes you get to enjoy them a little longer, but usually not really.<\/p>\n\n\n\n

Totally. Still, the simplicity of the look especially works because, of the two, Shane is the \u201cbrand-friendly\u201d one. He\u2019s the one who\u2019s getting deals, he\u2019s getting the Rolex partnership. It\u2019s funny too, because Ilya is so much more inherently fashionable. I\u2019ve seen a lot of praise for Ilya\u2019s fashion online. People love\u00a0his \u201cSlavic man\u201d style\u2014the slides that he wears indoors, and the leopard Jean Paul Gaultier shirt at the club.<\/strong><\/p>\n\n\n\n

You can\u2019t really see them\u2014again, this is another sandcastle that we built\u2014but we got him some leather slides and then lined them with fur and put these bejeweled clips on the front. We really went all out with Ilya because it feels like he\u2019s the one who\u2019s willing to take the risks. It\u2019s just inherently in the culture a little bit more, I think. And also, he\u2019s just out to provoke. The whole thing with the Jean Paul Gaultier shirt\u2014I\u2019ve been getting a lot of messaging regarding that too, because it\u2019s such a statement piece. I don\u2019t know that anyone else could pull that shirt off in the world besides Ilya. It\u2019s just so identifiable and also metaphorical to me. If I can put in little things that speak to me visually [like] the sense of him being this skinned predatory cat. In that moment, he has no power. He just sees his love across [the room], and there\u2019s nothing he can do. So you see this version of himself literally on his shirt, which is just skinned, lost all his power. But Ilya, yeah\u2014I think one person made a little video about it, and it was the \u201cSlavic fuckboy aesthetic\u201d of the indoor slides, obviously the Adidas\u2026 It\u2019s just funny how, to me, it was no question that it was going to be Adidas.<\/p>\n\n\n\n

\"\"
Sabrina Lantos\/HBO Max<\/figcaption><\/figure>\n\n\n\n

We\u2019ve got some really nice basic pieces because I think that even if he is the most showboaty, there\u2019s so much about just being comfortable as an athlete. With all of his tank tops, they\u2019re Diesel tank tops and they\u2019re higher end or Hugo Boss or leaning on stuff that would still be a little bit more of that ostentatious wealth, showcasing, showboating, always about how much money he has. There\u2019s the Russian kind of thing [in the show] where it\u2019s like the gold interiors, and everything\u2019s a little ostentatious. That\u2019s what we were playing with.<\/p>\n\n\n\n

Especially with Ilya, it\u2019s like, these are brands that this character would theoretically gravitate towards or purchase himself.<\/strong><\/p>\n\n\n\n

Or probably also have brand partnerships with. You could see [it like] this is all just stuff that they\u2019ve sent him.<\/p>\n\n\n\n

Exactly. You can imagine them both getting boxes of free stuff sent to their house. Like, \u201cAlright, I\u2019ll wear this.\u201d<\/strong><\/p>\n\n\n\n

They\u2019re like, \u201cOoh, yeah.\u201d Which brands associate with who, it\u2019s such an interesting marker of identity. What brands you lean on as a public figure. It\u2019s all just psychology and perception and how people are impacted by history and then what the brands represent.<\/p>\n\n\n\n

In your wildest dreams, what would Shane be wearing? What brands is his fictional stylist pulling?<\/strong><\/p>\n\n\n\n

I think that the stylist would be trying so hard to get him into different things, and he would just be like, \u201cI don\u2019t… I\u2019m just going to\u2026\u201d There would be so much hesitancy because there\u2019s just a lack of comfort, so even having someone say, \u201cThis is great. This is so cool.\u201d Wildest dreams for that, I think it\u2019s just leaning into color and showing body more publicly. My feeling when I\u2019m designing people and working with actors is when they feel the most comfortable, they look the best, when they look the most confident in what they wear.<\/p>\n\n\n\n

The Shane thing is interesting because I think there\u2019s just so much discomfort in the character himself, in the world outside of being an athlete. Like,\u00a0Hudson<\/em>\u00a0is doing that great. [Laughs<\/em>] Hudson and Shane are very different people. What a great thing for him that people are really seeing what a wonderful job he did on screen for the show. Connor, too\u2014very different people than the characters they play. But yeah, Shane, I don\u2019t think we could get him to go much further. And then, cut, I have him in very straight-cut suits, a little bit of tailoring, but nothing crazy, really simple lapels for all\u00a0the tuxedos. Ilya\u2019s tuxedos, we did double-breasted and peak lapel and different colors and played around with that a little bit more. I think it\u2019s all just about trying to tap into the real character beats. Shane, I think, just doesn\u2019t exist in the world that way.<\/p>\n\n\n\n

Speaking of Shane, there are two notable pairs of\u00a0eyewear\u00a0in this season. He and Kip both wear reading glasses, and they\u2019re both really good. One, do you recall where they\u2019re from?<\/strong><\/p>\n\n\n\n

The brand? I don\u2019t think it\u2019s anything fancy. Hopefully with season two, we can get some brand partnerships and I can get some great stuff\u2026 Because our budget wasn\u2019t huge. We were working with a relatively limited budget in terms of high-end [pieces], so I was trying to be really strategic. I was like, \u201cThe glasses, as long as they look like the right shape\u2026\u201d That was actually for Shane\u2019s glasses particularly\u2014we had to go through, I think, one of the executive producers to make sure that she could sign off because she\u2019s a huge fan of the books, so it needed approval. Whereas most of the other stuff, it was me being like, \u201cI think we should do this,\u201d and Jacob [Tierney, who wrote, directed, and produced the show] saying, \u201cTweak a little.\u201d But generally, I had a lot of freedom to do what I wanted.<\/p>\n\n\n\n

And then the glasses were a real sticking point, and I tried probably about 10 to 15 pairs, especially for Hudson, for Shane. For Kip [played by Robbie G.K.], I was like, \u201cThese feel right.\u201d We didn\u2019t need to try as many because I had one that felt like, \u201cart-history student\u201d that could work for him. But yeah, for Shane, I had a case full of glasses that we went through because you just have<\/em> to have them. I remember we tried them on set and had everybody be like, \u201cThose ones.\u201d Yeah, these things are important because they\u2019re in the imagination of the people reading [the books by Rachel Reid, upon which the show is based]. They\u2019re visualizing it and wanting to get [a pair] that kind of felt classic, but also nerdy in a way, and maybe a little bit outside of that athletic persona of who Shane is.<\/p>\n\n\n\n

Yeah, Shane\u2019s glasses are that clubmaster-style, super bookish.<\/strong><\/p>\n\n\n\n

Yeah, and maybe give a little bit more depth, more variety to who this person is. Because if you lean too much on archetype, you lose the details of the individual person. So, trying to find the little artifacts that we can sprinkle in and make him a little bit more grounded and real.<\/p>\n\n\n\n

Were you a part of designing the logos of\u00a0the hockey jerseys? Because I\u2019ve been\u00a0hearing about those, too.<\/strong><\/p>\n\n\n\n

That was a team effort. Actually, our graphics guy, Stephen Crowhurst, he was amazing. He did the logos. He would do multiple options and then we would all talk about it, but there was definitely\u00a0the intention for innuendo\u00a0I think was there from the beginning, and it\u2019s so fun. The show is so fun because there\u2019s so much space for it, and people are starting to clock into what the different things look like.<\/p>\n\n\n\n

\n
\"\"
Yes, the logo of the fictional Boston Raiders is meant to look like that<\/em>\u2026 Sabrina Lantos\/HBO Max<\/figcaption><\/figure>\n\n\n\n
\"\"
\u2026and the logo of the equally fictional Montreal Metros is meant to look like that<\/em>. Sabrina Lantos\/HBO Max<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

I honestly didn\u2019t notice until I saw that interview and I was like, \u201cOkay, that\u2019s<\/em> really funny.\u201d<\/strong><\/p>\n\n\n\n

I know, I know. We\u2019ll see about the future teams. I know we\u2019ll have Ottawa, for sure, I think, for season two. Yeah, the logos are amazing. We all were very collaborative for those kinds of things that impact everything because it\u2019s jerseys, they had to do the locker rooms, they had a carpet made. All of these things that kind of are cross-departmental, we would have multiple conversations about early on. It was cool to see this and giggle as we went about making all the little things that we had.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cOur budget wasn\u2019t huge,\u201d admits Hanna Puley, who outfitted the smash-hit series. \u201cSo I was trying to be really strategic.\u201d<\/p>\n","protected":false},"author":13,"featured_media":42354,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[249],"tags":[],"authors":[],"class_list":["post-42889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lifestyle-en"],"acf":[],"yoast_head":"\nGQ interviews Heated Rivalry costume designer Hanna Puley<\/title>\n<meta name=\"description\" content=\"For a show whose most tantalising scenes hinge on shirtlessness, the smash-hit Canadian series\u00a0Heated Rivalry\u00a0still manages to do plenty of storytelling through its clothing.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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