{"id":9712,"date":"2025-06-29T12:47:34","date_gmt":"2025-06-29T04:47:34","guid":{"rendered":"https:\/\/gqhongkong.com\/?p=9712"},"modified":"2025-09-12T12:58:49","modified_gmt":"2025-09-12T04:58:49","slug":"at-dior-the-magic-unfolds-at-jonathan-andersons-first-mens-show","status":"publish","type":"post","link":"https:\/\/gqhongkong.com\/en\/style-en\/at-dior-the-magic-unfolds-at-jonathan-andersons-first-mens-show","title":{"rendered":"At Dior, the Magic Unfolds at Jonathan Anderson’s First Men’s Show"},"content":{"rendered":"\n

To say Jonathan Anderson\u2019s debut at Dior was highly anticipated would be an understatement. Ever since the Irish designer was named creative director across all Dior collections\u2014menswear, womenswear, and haute couture\u2014expectations have been nothing short of monumental. Not only is he the first to hold such sweeping authority since Christian Dior himself, but at just 40, Anderson is widely considered one of the most gifted designers of his generation. Possibly the<\/em> most gifted. Add to that fashion\u2019s current state of subdued ennui\u2014thanks, quiet luxury<\/em>\u2014and the stage was set for a full-throttle shake-up.<\/p>\n\n\n\n

Dior, of course, staged its presentation at Les Invalides, but this season, the spectacle was more intimate. No sprawling crowds. Just a tight guest list and a moody, museum-like cube complete with two original Chardin paintings. The vibe was hushed, reverent\u2014even punctual. Industry insiders showed up on time, aware that this wasn\u2019t just another fashion show\u2014it was the<\/em> moment of the week. Anderson loyalists like Drew Starkey and Josh O\u2019Connor were in the front row, joined by Rihanna and A$AP Rocky. In the fashion crowd? Pharrell. Donatella. Kris Van Assche. A room full of heavyweights, all clutching invitations designed as porcelain plates bearing three ceramic eggs. Subtle, strange, and full of intention.<\/p>\n\n\n\n

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Photo by Giovanni Giannoni\/WWD via Getty Images<\/figcaption><\/figure>\n\n\n\n
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Photo by Estrop\/Getty Images<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Cue Bruce Springsteen. The first look emerged to the Boss\u2019s gravelly voice: an oversized cargo short paired with a reinvented Bar jacket, a Wildean bow tie, and that most irreverent of combos\u2014socks and sandals. With that, the line was drawn: this was not Kim Jones\u2019 Dior. Anderson was here to rewrite the rules, remix the codes, and throw in a dash of his signature mischief while he was at it.<\/p>\n\n\n\n

There were nods to Dior\u2019s mid-century legacy\u2014of course\u2014but through the lens of British aristocratic quirk. Think vibrant waistcoats, printed capes, and sharply tailored frock coats with a twist. Across 67 looks, Anderson exercised restraint in the best way: revisiting the classics, rethinking the proportions, and in doing so, ushering Dior into a bold new chapter.<\/p>\n\n\n\n

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Photo by Estrop\/Getty Images<\/figcaption><\/figure>\n\n\n\n
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Photo by Giovanni Giannoni\/WWD via Getty Images<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u201cI want everything to be reborn from itself,\u201d Anderson said post-show. Earlier that day, he teased his intention to the press: \u201cMy idea is to decrypt and reprogram Dior.\u201d<\/em> And decrypt he did. The trench coat, denim trousers, fisherman knits, and double-breasted suits all returned to the runway, armed with inventive volumes, fresh palettes, and unexpected details.<\/p>\n\n\n\n

Anderson knows what he\u2019s doing\u2014and exactly where he\u2019s doing it. The essentials of the modern man are all accounted for, reimagined with just enough provocation. Even the iconic Book Tote got a literary upgrade, adorned with names like Bram Stoker and Pierre Choderlos de Laclos. Elsewhere, ties were loosened, hems unfinished, shirts left carelessly unbuttoned. The message? Relaxed elegance, controlled chaos. A kind of anti-perfection that feels perfectly now.<\/p>\n\n\n\n

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Photo by Kuba Dabrowski\/WWD via Getty Images<\/figcaption><\/figure>\n\n\n\n
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Photo by Kuba Dabrowski\/WWD via Getty Images<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Anderson\u2019s mission was clear: establish a new archetype\u2014the Dior man, according to Jonathan. And if this debut is any indication, he\u2019s already laid down a foundation worth building on. Now it\u2019s just a matter of running with it<\/p>\n\n\n\n

First published on gqmagazine.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jonathan’s Anderson debut at Dior was the one show everyone was looking forward to attending this Paris Fashion Week<\/p>\n","protected":false},"author":13,"featured_media":9717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[248],"tags":[],"authors":[],"class_list":["post-9712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-style-en"],"acf":[],"yoast_head":"\nAt Dior, the Magic Unfolds at Jonathan Anderson's First Men's Show<\/title>\n<meta name=\"description\" content=\"Jonathan's Anderson debut at Dior was the one show everyone was looking forward to attending this Paris Fashion Week\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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